1/4/2024 0 Comments Download the dig documentary![]() ![]() That was always the nice thing about the Red One, it didn't look filmic but it had its own really pleasant signature. ![]() ![]() Not filmic at all, something entirely different. Tattoo left me highly unimpressed but I shot epic with Hawk anamorphics for my last short and it was gorgeous. It's strange isn't it how some footage just doesn't chime with us. What do you think of the footage? How about the dynamic range? Did this impress you as much as it impressed me, or do you still feel that something is off with the footage? If the workflow is there, and the actual rigs end looking as simple has they have so far, I think this is going to be a real competitor for the productions that normally would have chosen EPIC or Alexa. I'm definitely curious to see more samples, especially some that are more flat in their grade, but I think this image is going to please lots of shooters. This short gave me that same feeling, I'm sure in no small part to the excellent dynamic range. Cinematic is certainly an intangible word for most people when it relates to the image they can get out of a particular camera, but it's one of the reasons I have tended to prefer a lot of the material shot on RED or Alexa up until this point. I think the lack of dialogue actually drew me in more, and helped sell the payoff at the end. On the content side this film is more my style, but everyone has their preferences. ![]()
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